Amanda Yesilbas and Charlie Jane Anders
You
can't do jump-scares in a book. There's no computerized special
effects, or actors covered with gruesome makeup and KY jelly. You can
always put a book down for a few days. And yet, the creepy prose of
horror's greatest writers has the power to hold you trapped in a spell
of terror that no film crew can match.
Here are 10 horror novels
that are scarier than almost any movie you could be watching. Better
read these with all the lights on, kids.
Top image: Michael Komarck art for "Call of Cthulhu".
1. The Shining by Stephen King
The movie version of
The Shining
is a pop culture touchstone — but as usual, the book is even better
than the movie. There's a reason King is considered a horror master: The
tense atmosphere and freaky supernatural occurrences get into the
reader's head and make you begin to doubt your own grip on sanity, along
with that of the characters. Most people are probably familiar with the
premise of the book: An alcoholic father takes a job as the off-season
caretaker of an isolated mountain resort, in order to work on his
writing and become closer to his family. The son is a psychic, a
"shiner", who can see the hauntings in the hotel. Sure the book is chock
full of supernatural visions — but equally disturbing is the
human-on-human violence. The child's-eye view of his parents'
deteriorating relationship — and sanity — is meant to dredge up
uncomfortable memories of childhood's confusion and powerlessness.
2. Haunted: A Novel in Stories by Chuck Palahniuk
The
one-star and five-star reviews of this book actually say the same thing
— it's absolutely disgusting and disturbing. A group of would-be
writers answers an advertisement for a three-month writing retreat. When
the attendees arrive, they're locked in an old-theater, with dwindling
supplies. The novel is actually a series of short stories strung
together under the artifice of the captives telling tales, and the tales
become more horrifying and grotesque as the situation deteriorates. A
situation made worse by the participants themselves, as they begin to
practice murder and self-mutilation in the belief they are in some kind
of reality show. It is said that when Palahniuk read the first tale
"Guts" on book tour, people were fainting left and right. The reader is
freaked out, not just by the graphic violence and unnerving supernatural
bits — but also, the uncomfortable questions about what people will do
for fame.
3. The Haunting of Hill House by Shirley Jackson
Four
people venture to spend a summer in the reportedly haunted Hill House:
Dr. Montague, an occult scholar looking for proof of ghosts, Theodora,
his assistant, Eleanor, a young recluse, and Luke, the heir to the
house. The group begins to experience strange and unexplained events.
That plot might be familiar to you if you've seen either the intense
1963 psychological thriller movie
The Haunting or the goofy, bad 1993 version of
The Haunting.
Jackson was such a master of creating suspenseful tension that there is
even an award named for her that recognizes contemporary literature of
psychological suspense, horror, and the dark fantastic. What makes the
novel so effective is its unreliable narrator, Eleanor. Being limited by
her incomplete perspective makes the reader just as unsure and
vulnerable as she is. This perspective become more suffocating and tense
as the line between the real and unreal and the living and dead becomes
more and more blurred.
4. The Turn of the Screw by Henry James
While
The Turn of the Screw
has a gothic feel to it, Henry James was breaking away from a tradition
of blatant "screamers" and "ragers," and creating ghosts that were
eerie extensions of the everyday. The story is about a young governess
that takes a position at the secluded Bly house to care for an orphaned
brother and sister. The governess begins to see apparitions of the
former governess that died under scandalous rumors, and another dead
servant Quint, who'd terrorized the house and possibly sexually molested
the boy and other servants. She becomes convinced the children can also
see the ghosts and are being hunted by them. The stiff and formal
language along with the unfamiliar mores of the time might be a barrier
to a modern reader — but if you let it flow over you, an eerie and
unsettling scene takes shape. Nothing is ever explicitly stated in the
story, from the crimes of the deceased servants to whether the children
can actually see the ghost, to what was the actual reality of the
ending. The written word allows for an ambiguity and unresolved tension
that allows scholars to still argue about what was real and what might
have been madness. The questioning for answers is what makes the story
so creepy and evocative. Well, that and the creepy kids. Apparently
unnerving, creepy children are not a new idea.
5. Books of Blood Volumes 1-3 by Clive Barker
Nightmare Magazine
rates this collection of stories by Clive Barker as its number one
horror book. This is probably a matter of taste, based on what kind of
horror does it for you, but this collection of stories covers such a
gamut that one is probably going to be one that hits your sweet spot. Of
course the rest might sicken you with intense gore and general
misanthropy. Barker always meant the stories to be published as a single
work, so the collection represents that author's singular vision of a
book. This leads to a diverse collection of ghost stories, a gore-fest,
and even a farce with a dancing chicken.
6. The Terror by Dan Simmons
In
1845 the Franklin Expedition, which consisted of 126 men on the two
ship the H.M.S Erebus and H.M.S Terror, went to the Arctic circle in
search of the fabled Northwest Passage. None of the men returned alive
from this expedition. Dan Simmons blends historical fiction and horror
to tell of the deaths of these men. The two ships are trapped in ice for
years and as the supplies dwindle and go bad, madness and disease
descend upon the crew. In the midst of the more mundane murder and
cannibalism, a giant unknown beast begins stalking the men and killing
them off in ones and twos. Simmons is masterful at setting a scene with a
great attention to details that shows off his extensive research
(though this tends to make for very long books). The book is a harrowing
tale of survival horror builds fear with an inescapable environment and
boosts of adrenaline from being hunted.
7. John Dies at the End by David Wong
David
Wong and his penis obsessed best friend John take a drug known as
soy-sauce that opens their mind to a higher plane and reveals to them an
lunatic array of monsters like wig-wearing scorpions, that threaten to
infest the world. The book takes every pop culture trend of the past
twenty years, peppers it with 14-year-old dick and fart humor, and
blends it all together with a huge heaping of splatterpunk gore. This
one is probably not going to be for everyone. However it does
successfully blend laugh-out-loud humor with legitimate horror. Despite
the absurdity there are thrills to be had with the grotesque monsters,
the existential dread of facing things beyond your comprehension, and
bugs staring out at you from air conditioning vents while you sleep. The
book has already been made into a
movie
— but it's hard to imagine how the foul-mouthed meditations on how shit
the human condition is, and all the existential dread, is going to
translate without words. The film will also be lacking descriptive
phrases like "the heavy monkey of sleep rested its warm, furry ass on my
eyelids". The visual medium can't always match the beauty of prose.
8. The Exorcist by William Peter Blatty
There
was a golden age of horror movies from the late sixties to through the
1970's, that was brought on by a renaissance of quality horror novels
like
The Exorcist, Rosemary's Baby, and
The Shining.
In a world where we're all jaded by fountains of blood , it is a
testament to a book's quality that it can remain a staple on the "best
horror novel" lists. The story is about an innocent young girl, who's
possessed by an ancient demon, an old priest that specializes in
exorcisms and the research of demons, a young priest struggling with his
faith after the death of his mother, and a police detective
investigating a grisly murder. The book is engaging, and of course has
its intense moments of supernatural activity and shocking moments that
might be considered tame by today's standards. The truly unsettling
thing about the book — and what makes it linger as a classic — is how it
tackles larger themes about belief and the unfairness of the world. It
questions a god that allows an innocent to be struck down and made to
suffer and questions why there is evil in the world. It leaves the
reader very much aware of your own vulnerability and the vast unfairness
of it all — which are the most terrifying things to contemplate.
9. The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft
Lovecraft
is difficult to pin down or talk about because of his cult like status,
but it is hard to have a list of scary books and ignore him. He
redefined what horror could be and influenced pop culture from Arkham
Asylum to the Evil Dead movies. But whether you find his stories
immediately frightening depends on your ability to take his dense prose.
Some think his wordy descriptions paint an eerie and unsettling world.
Some just find him tiresome. The development of the Cthulhu mythology is
all about the lingering slow burn. Lovecraft often follows a pattern in
his short stories: an educated man encounters an ancient horror so vast
and beyond comprehension that he is driven mad by the mere thought or
glimpse. Despite all of our civilization and education, we're powerless
pawns against a large brutal universe of half-glimpsed horrors. Despite
being such a famous property, there hasn't been much of an attempt to
bring it to the big screen. There just isn't much to see, instead the
subtle and dense prose builds up a thick mythology of cosmic horror.
10. The King in Yellow by Robert W. Chambers
Lovecraft often gets a free ride for his dense and archaic prose because, you know, his stuff is old and dated.
The King in Yellow
counters that theory. Lovecraft read this short story collection and
was deeply influenced by how Chambers linked together stories by the
device of a strange half-explained text of such a horrible and
disturbing mythology that corrupted and brought doom upon any reader.
The thing is, Chambers' prose is brilliantly clear and clean, his
characters are sympathetic in their doom... and he predates Lovecraft.
The first-person narrative makes the corruption of the characters subtle
but vivid. Only the first four stories of the collection are actually
related to horror, so it's slightly cheating to call it a horror book —
and truthfully one of the most eerie and unsettling stories in the book
is about the Prussians laying siege to Paris and the horrors of war.
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