Monday 28 November 2022

Hunter S Thompson

 

“We are all alone, born alone, die alone, and - in spite of True Romance magazines - we shall all someday look back on our lives and see that, in spite of our company, we were alone the whole way. I do not say lonely - at least, not all the time - but essentially, and finally, alone. This is what makes your self-respect so important, and I don't see how you can respect yourself if you must look in the hearts and minds of others for your happiness.”
- Hunter S. Thompson,
The Proud Highway: Saga of a
Desperate Southern Gentleman,
1955-1967
[Image: Martyr in the Catacombs (Detail)(1886) oil on canvas by French painter Jules-Cyrille CavĂ© (1859–1946). The Art Gallery Of Ontario. Public domain.]
The Smart Witch by Elizabeth


























Saturday 26 November 2022

To be Read

 





Paulo Coelho - The Witch of Portobello

 



“Everything, absolutely everything on this earth makes sense, and even the smallest things are worthy of our consideration.”

- Paulo Coelho,
The Witch of Portobello

About the Author and Subject:
Paulo Coelho de Souza is a Brazilian lyricist and novelist, best known for his novel The Alchemist. In the Witch of Portobello, a work of fiction, Mr. Coelho writes of the return to the Goddess religion. Here, he expounds upon the interpretation of love, and the feminine part of the Divine within the theme of opening to the energies of the world in search of one’s true self. Central to the story is the question of how we find the courage to be true to ourselves - even if we may be unsure of who we are.

[Image: Lady of Shalott (1889-1892) tempura and oil on panel by William Holman Hunt (1827-1910). Manchester City Art Gallery.]

About the Artist and Subject:
This painting has a complicated and elaborate symbolism which I'll explore in the Image section of a future post. The Lady of Shalott is herself an artist and possibly reflects Mr. Hunt's own aesthetic on the consequences of turning away from duty and yielding to the temptations and material realities of the world.

The Smart Witch by Elizabeth


Thursday 24 November 2022

The winter solstice

 



The winter solstice time is no longer celebrated as it once was, with the understanding that this is a period of descent and rest, of going within our homes, within ourselves and taking in all that we have been through, all that has passed in this full year which is coming to a close... like nature and the animal kingdom around us, this time of hibernation is so necessary for our tired limbs, our burdened minds.

Our modern culture teaches avoidance at a max at this time; alcohol, lights, shopping, overworking, over spending, comfort food and consumerism.

And yet the natural tug to go inwards as nearly all creatures are doing is strong and the weather so bitter that people are left feeling that winter is hard, because for those of us without burning fires and big festive families, it can be lonely and isolating.

Whereas in actual fact winter is kind, she points us in her quiet soft way towards our inner self, towards this annual time of peace and reflection, embracing the darkness and forgiving, accepting and loving embracing goodbye the past year.

"Winter takes away the distractions, the buzz, and presents us with the perfect time to rest and withdraw into a womb like love, bringing fire & light to our hearth".

.. and then, just around the corner the new year will begin again, and like a seed planted deep in the earth, we will all rise with renewed energy once again to dance in the sunlight.

Life is a gift ❤ a Happy winter to you all...



Wednesday 23 November 2022

School Day Cake with Sprinkles

Ingredients

Method

  • STEP 1

    Heat the oven to 180C/160C fan/gas 4. Butter a 20 x 30cm cake tin and line with baking parchment. Put the butter and sugar in a large bowl and beat with an electric whisk for a few minutes until pale and fluffy. Add the eggs, flour, milk and vanilla and beat again until you have a smooth batter.

  • STEP 2

    Scrape the batter into the prepared tin, spread right to the corners and smooth the surface. Bake for 40-45 mins or until a skewer inserted into the centre comes out clean, checking at 5 min intervals if it isn't ready after 45 mins. Leave the sponge to cool on a wire rack.

  • STEP 3

    Mix the icing sugar with enough water to make a thick icing. Spread the icing over the cooled cake, then top with lots of sprinkles – the surface should be almost completely covered. Leave for at least 1 hr to set. Cut into squares and serve with hot custard, if you like.


Alternatively try the chocolate alternaitve -

https://www.janespatisserie.com/2022/08/15/chocolate-school-cake/?fbclid=IwAR3DH2ihulbihCpVg3WYWQ_U8sf3lPE3Pk8pk6ZdkTlsC0X_PkBNJA3nG2s



School-days sprinkle sponge cut into squares

Monday 21 November 2022

Fairies Weren’t Always Cute – They Used To Drink Human Blood And Kidnap Children

AncientPages.com - When most people think about fairies, they perhaps picture the sparkling Tinker Bell from Peter Pan or the other heartwarming and cute fairies and fairy god mothers that populate many Disney movies and children’s cartoons. But these creatures have much darker origins - and were once thought to be more like undead blood-sucking vampires.



A painting by John Anster Fitzgerald who was well known for his work featuring fairies. Wikimedia, CC BY-SA

In The Secret Commonwealth of Elves, Fauns and Fairies (1682), folklorist Robert Kirk argued that fairies are “the dead”, or of “a middle nature betwixt man and angels”. This association is particularly prominent in Celtic lore. Writing in 1887, Lady Jane Wilde popularised the Irish belief that:

fairies are the fallen angels who were cast down by the Lord God out of heaven for their sinful pride…and the devil gives to these knowledge and power and sends them on earth where they work much evil.

At first sight the current innocent idea of fairyland seems as far away from the shadowy realms of the dead, and yet there are many resemblances between them. Despite their wands and glitter, fairies have a dark history and surprisingly gothic credentials. So why did we lose our fear of fairies and how did they come to be associated with childhood?

How fairies lost their bite

When JM Barrie’s Peter Pan debuted in the early 1900s, it was widely believed in society at that time that fairies were inhabited a shadowy spirit world. Fascinated by angels, ghosts and vampires Victorians (subsequently Edwardians) increasingly saw fairies as the souls of the dead. Rather than dispelling fairies, the first world war and the loss of many loved ones heightened a belief in airy spirits and occult methods of communicating with them.

However, due to Peter Pan’s great success and the prominent “pixie” character of Tinker Bell the creatures would eventually lose their malevolence as they became confined to the nursery.

Barrie famously equated the origin of fairies with children:

When the first baby laughed…its laugh broke into a thousand pieces…that was the beginning of fairies.

This is far from the malevolent fairies and their shadowy history in folklore. In these stories they steal children, drive people insane, blight cattle and crops – and drink human blood. Barrie, of course, was aware of their dark side. Despite the fairy dust and glamour, Tinker Bell is dangerous and vengeful like a deadly fairy temptress. At one point in the story, she even threatens to kill Wendy.



An illustration for Barrie’s Peter Pan book by Arthur Rackham. Credit: Public Domain

Peter Pan, or the Boy Who Would Not Grow Up, debuted on stage at Christmas in 1904. It was inspired by performing fairies in popular shows such as Seymour Hicks’s Bluebell in Fairyland. Peter Pan was canonised by Disney in 1953 and the sentimental celluloid fairy was born. The cutesy and youthful fairies of contemporary children’s TV are a result of this Disneyfication.

Blood hungry demons

But in folklore, fairies are often a demonic or undead force; one which humans need to seek protection against. As folklorist Katharine Briggs has noted. In her Dictionary of Fairies, she wrote:

"People walking alone by night, especially through fairy-haunted places, had many ways of protecting themselves. The first might be sacred symbols, by making the sign of a cross, or by carrying a cross, particularly one made of iron; by prayers, or the chanting of hymns, by holy water, sprinkled or carried, and by carrying and strewing Churchyard mould in their path. Bread and salt were also effective, and both were regarded as sacred symbols, one of life and the other of eternity."

What is more, fairyland has a hunger for human blood. This links fairies to the vengeful dead and to vampires. In early accounts, vampires are defined as the bodies of the dead, animated by evil spirits, which come out of their graves in the night, suck the blood the living and thereby destroy them – as an entry in the Oxford English Dictionary from 1734 noted.

Diane Purkiss’s history of fairies, includes a Scottish Highland legend which warns that you must bring water into the house at night, so the fairies don’t quench their thirst with your blood. Very old fairies, like vampires, were said to wrinkle and dry up without fresh blood.

The Baobhan Sith are vampiric Scottish fairies. These beautiful green banshees have hooves instead of feet, they dance with and exhaust their male victims then tear them to pieces. Like many fairies, they can be killed with iron.

Dearg-Due are Irish vampiric fairies or “Red Blood Suckers”. They were thought to be influential on Sheridan Le Fanu’s female vampire tale Carmilla (1871).

Halloween is supposedly a time when the veil between our world and the shadow world is extremely thin. A time when you are more likely to hear stories of encounters between humans and fairies. So if this Halloween you go seeking winged friends, a warning to the curious, they might not be as sweet as you think.

Tread carefully and never enter a fairy ring. Circles of mushrooms, they are believed to have been created by fairies dancing in rounds. According to folklore, if you do happen to step into such a circle of mushrooms, you may become invisible and be made to dance around until you die of exhaustion. So a healthy fear of fairies is always wise.

Written by Sam George, Associate Professor of Research, University of Hertfordshire

Provided by The Conversation 

This article is republished from The Conversation under a Creative Commons license. Read the original article.




The Gold Cape

 




You would be forgiven for thinking this masterpiece of Gold working was discovered in an ancient Egyptian tomb coated in the dust of time. But no, this exquisite artwork was unearthed in a muddy field in a town called Mold in North Wales. The burial mound containing the treasure was called Bryn Yr Ellyllon or the Fairies Hill. Apt name.

The Golden Cape dates from around 1900 BC. Its decoration is very similar to some of the detailing on the golden conical hats and other treasures found on the continent. Although it is older and further west than all the conical hats yet found.

The shape and size are said to suit the build of a female, which makes sense as far as receptivity goes. Women, in general, are more receptive with males having to work harder to achieve similar results; particularly through Creative energy preservation. (generalisation - individuals differ!).

This would support the idea that these items were worn to improve receptivity and sensitivity. Worn by the highly intuitive among the community at times and sites of sacred veneration - to heighten insight.

The Cape itself covers the whole of the upper arm rendering the bearer motionless at the shoulders, this is in keeping with the ritualistic idea.

In addition, this marvellous piece was found with 300 Amber beads likely from the Baltic, along with bronze sheets probably used as support/backing. It is interesting to note for provenance that in Wales there is the great Orme copper mine, the largest and best copper mine in the ancient known world. There is also the great tin mines of Cornwall and the west country, said to be the biggest and best tin deposit in the ancient world. Add to this the Gold rich area of Western Great Britain and a recipe for an advanced bronze age Britain emerges.

It would not surprise me in the slightest if at one time in the past this beautiful Cape was accompanied by a wonderful Golden conical hat or skull cap of its own.

Most of these Golden objects have been linked to ceremony and ritual with many now making the connection to ancient "wizards" or more appropriately Magicians.

The term Magician has its modern root in the Magi of Persian lore and tradition; these great adepts were said to be star glazers (astronomers) and fire-worshippers connected with the Zoroastrian faith.

The Ma or Mag and Mahg prefix have interesting connotations in the west also; the Irish tradition of the Magian priesthood is a good connection, but I would like to draw some light upon the Welsh etymological thread -

The Welsh term Mag - the act of rearing or bringing up or educating.
Magadwr - one who nurses or rears.
Magddu - the fountain of blackness or seat of darkness.
Magdan - the generation of fire! Light and heat!
And my favourite: Magi - a principle of Generation.

Here, for me, we see the link of Magi or Magic with the Generative principle or the Creative principle. And, when this principle is preserved, through certain practices and exercises, the results can be magic.